THE BEDFORD CULTURE CLUB 2014
AT 7:00PM ON THE THIRD THURSDAY OF THE MONTH
VENUE: The Bedford, Station Road, Horsham, RH13 5EY. TICKETS: £10
To book please contact Emilie Myers on THE BEDFORD CULTURE CLUB Facebook page
Telephone 01403 211 962
Text 07771 821 741
20th November 2014
Speaker: Sue Roe
Summary: Sue Roe is the author of several books, including a widely praised work on the artist Gwen John, a New York Times best-selling collective biography of the Impressionists; and In Montmartre, hailed in The Guardian as a 'brilliant dance'.
In her lively, illustrated talk Sue Roe transports us to the artistic world of Paris when Montmartre was in its heyday. In the shadow of the windmills – artificial and real – Picasso, Matisse, Modigliani and others gathered in the cafes and bars, the Bateau Lavoir and the Lapin Agile. During the first decade of the twentieth century the cross-fertilization of painting, writing, music and dance produced a panorama of activity and an atmosphere of unprecedented excitement. The cinema replaced the circus as the most popular form of entertainment, the Ballet Russe took Paris by storm and in Montmartre the locals danced the night away in the modest Moulin de la Galette and the glamorous Moulin Rouge. In Montmartre vividly brings to life the world of art in Paris between 1900 and 1910.
In Montmartre, Radio 4 Book of the Week in early August 2014, is available now, published by Fig Tree, an imprint of Penguin Books ISBN 978-1-905-490868.
11th December 2014
Venue and date change: please note! This is the second Thursday of December and at The Barn on the Causeway, The Causeway, Horsham, West Sussex RH12 1HE.
Paul Drury and the Revival of Pastoral Etching
Speaker: Jolyon Drury
Summary: In this illustrated presentation I am going to talk about Paul Drury the print maker and the man, about the influence of his father the sculptor Alfred Drury RA, about his lifelong Goldsmiths friends including Graham Sutherland, their pastoral etching development stimulated by Samuel Palmer and how Paul’s and the group’s work evolved towards abstraction whilst still maintaining the pastoral tradition. There are a number of underlying themes running through this talk and my book Revelation to Revolution which will be available at the venue– the revival of pastoral printmaking following Samuel Palmer – the perfection of the hand-drawn, hand-printed etching – the pivotal role that Paul Drury had within the group that I will refer to as the (Goldsmiths’) Class of (19)21 – the developing conflict between representational and abstract art – and last but certainly not least the very close personal relationships that enabled that school of art at Goldsmiths College to be a unique learning experience under the benign governance of Clive Gardiner that cemented the individual skills in the group and which paved the way for pioneering design and technique for which Goldsmiths is still recognised to this day.
Comments on 16th Jan 2014
'Great venue, culture club a wonderful idea; brilliant inaugural lecture by Dr Andrew Wines.' 'Good venue, relaxed and informative.' West Sussex County Times